July 21, 2016 Leave a comment
By Mr. Westbrooks
Unlike The Immortal Birth, The Black Dot’s Hip Hop Decoded was a recommended read that just sat on my Amazon Wish List for long as hell until the author made an appearance in my city at a local Black-owned bookstore. I’ve watched several Black Dot and Professor Griff lectures on YouTube, and I mention Griff because he has lived similar experiences maneuvering in the music industry, and he has written and spoken about the metaphysical, esoteric, and occultist aspects of the entertainment industry, primarily Hip Hop. The masses of media consumers skeptical that a secret society of families connected by bloodline called the Illuminati controls the music industry, would probably dismiss Dot and Griff’s information as conspiracy theories, but that’s neither here nor there.
As you can see, I was already aware of the caliber of knowledge Black Dot was bringing to the table before I even opened his first book. (He also has another book called Urban Culture Decoded which I will read and write about at some point this summer.) According to his brief autobiography, Dot grew up in the South Bronx and led his own Hip Hop career as a young emcee named Cheba La Rock in the 80s and 90s. He was to signed to B-Boy Records, toured around the world with Tim Dog, established an independent label, B.I.B Records, and started a group called The Lethahedz that released an EP called A&R Killer.
During these years, he would learn the ins and outs of the music business, so needless to say, Dot is more than qualified to write about Hip Hop. His support and backing from Hip Hop’s pioneers such as Kool Moe Dee, Professor Griff, and Grandmaster Caz – who also wrote the foreword – further legitimizes Dot’s qualifications. Even after all of the YouTube presentations along with the in-person lecture he gave at the Source of Knowledge bookstore in Newark, NJ, I was still amazed after reading HHD as it widened my third eye even more to the mystery of Hip Hop.
Looking at the title, it may be easy to mistake HHD for your typical book on Hip Hop that gives you a chronological history of the culture as it relates to the social and political events occurring during each era. It’s not that. It’s also not a purist tirade of how Hip Hop music has become shit hop in its contemporary age. And, it’s not a top 25, 50, or 100 countdown of the greatest emcees of all time. It’s none of those things. It goes way deeper than that, and Dot makes that clear from the beginning.
Like he mentions in the foreword, HHD is about the “mystery of Hip Hop.” He does provide some history, but he doesn’t dwell on the early beginnings. The history is used as a reference point to contextualize how Hip Hop got to where it was when the book was published in 2005 and where it could potentially go beyond that time. At some points, Dot praises Hip Hop and criticizes rap music, but the basis of his analysis is an alternative perspective that most people are probably unaware of. He dives deeply into the spiritual, metaphysical, numerological, and occultist implications of Hip Hop. He goes further back than the South Bronx in the late 70s and early 80s by drawing parallels between the four elements of Hip Hop (DJing, break dancing, graffiti, emceeing) and the four elements of our African past with drums, dance, hieroglyphs, and the oracle.
Throughout the book, Dot transforms and characterizes the culture as a Hip Hop metaphor of the movie The Matrix. He identifies the key figures of the music industry from the corporations at the upper echelons to the masses of consumers at the lowest level. He reveals what the red and blue pills represent, and he discusses the roles that all of us play in the Hip Hop Matrix. To appeal to a variety of learners and to reach a broader audience, the author conveys his scrutiny through an array of methods – fictional stories, visual illustrations/diagrams, historical facts/current events, and critical analysis.
Allow me to reiterate that HHD was published in ’05, so the events surrounding the Nas and Jay-Z beef, the fall of Roc-A-Fella Records, the rise of G-Unit and it’s on-wax and possibly off-of-wax conflict with Murder Inc. may all be dated; however, the overarching themes and messages are relevant today and for years to come. HHD is written for the masses of people who’ve noticed that something is terribly wrong with Hip Hop as it exists contemporarily, or for those who question the judgment of the XXL Magazine staff members who selected this year’s freshman class. Appropriation and commodification has caused the culture to devolve from it’s highest vibrational frequencies from a time when it was in its purest form. In order to unplug yourself from the Hip Hop Matrix and to take the first steps towards destroying the Matrix machine, this book is a must-read.